Digital Magazines

In which we discuss the tactic of ignorance:

Chet Zar; painter, sculptor, make-up FX guru, posted a great insight to his process for creating mouldings for frames last week for #FridayNightArtDorks on his Twitter page – @chetzar. They’ll adorn the frames in next months solo show at Last Rites gallery in NY.

Frame Corner Sculpture

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Dangerous Ink favourite The Chung!! has just released his own iPhone sketchbook app. He says: “To all of you who own or know anybody who owns an iphone or and ipod touch, come and check out my just released artist sketchbook app downloadable via iTunes.

Released and brought to you by the amazing people at Imaginism Studios Inc. and ArtistSketchbooks.com this downloadable and portable book of select works and never before seen sketches can now be yours to hold in the palm of your hands.

Also soon to come, some top secret awesomeness!!…I’m not allowed to announce what it is just yet, but stay tuned!”

You can see more of his work on his site www.thechung.com or buy limited edition prints from the Dangerous Ink Gallery.

In which we continue our obsession with chatroulette.

We’ve finally posted up the last issue of Dangerous Ink to the site, and you can view it by clicking here. If you wanted a real copy of the issue, some are still available through our online shop and are now all half price!

If you enjoy the issue, please leave a comment. It’s always a buzz to know that people enjoyed what we did, and you never know, one day Dangerous Ink Magazine might come back.

Hello! This is my fist post EVER!

I have my own site and stuff, but it is a bit unloved of late – my own fault.
I’m taking this first post as an opportunity to blow my own trumpet. Here is the frist panel of one of two strips that I completed last month and will be published in the anthology Underground Overkill, and may also get an airing on online comic sites (I’m still not sure about this bit!).

Hope you like it.

More to follow.

Go ahead and try it. You know you want to.

With a career spanning a little over 50 years, David McCallum is a face most of us, young and old, recognize. From eccentric coroner Ducky on ‘NCIS’; elemental time-fighter Steel on ‘Sapphire and Steel’; Ilya Kuryakin fighting the sinister group T.H.R.U.S.H in ‘The Man from UNCLE’, and countless other incarnations – he has entertained and enthralled generations, but how many know of his other talents as a musician, composer, and photographer? Hopefully this interview David kindly let us conduct will help shed some light on those unknown depths of his deep artistic skill.

Can I ask what made you change your direction from music to acting?
I was very young and involved in local theatre. In the local school hall, an amateur theatre company produced an evening of recitations, singers and soloists. These were intermingled with one or two scenes from plays. I played the part of the doomed prince in the dungeon in Shakespeare’s ‘King John’. I pleaded – unsuccessfully – with the assassin not to kill me. It is a real tear-jerker and audience applauded loudly at the end. It was in that moment I realized once and for all that my home in this world was on a stage. My efforts didn’t require homework or lengthy musical practice. The oboe took second place from that moment on. I did what was necessary in school and sought work at the earliest opportunity. ‘Whom the Gods Love, Die Young’ was the first part – oddly enough playing another doomed royal. It was on BBC Radio in 1946, the year I joined Equity.

How did your parents take your decision to concentrate your energies on theatre?
Their philosophy was simple. My mother and father gave my brother and I a secure environment that allowed us to go out and achieve our maximum potential. They never interfered, only encouraged. We both made our own decisions and lived by the consequences. I knew my father felt that music would give me a better standard of living than the vicissitudes of the theatre but he didn’t say it openly. When he came to the premier of ‘Robbery Under Arms’ at the Odeon Leicester Square several years later, my name was in large letters on the side of the building. By then I think he realized that I had probably made the right choice.

Even though you moved fully into acting, did music still play a part in your life? Did you still play the oboe in your spare time?
I still have my oboe. When doing ‘The Man from UNCLE’, I conducted several albums at Capitol. Top forty arranged by HB Barnum for woodwind and four French horns. Later, in ‘Motherlove’ on television I played an orchestral conductor and had the pleasure of conducting the BBC Symphony Orchestra in Mozart and Prokofiev.
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Absolutely not! Never in a million Bat-years!
We’re all well steeped in Adam’s Pop-art infused, psychedelic turn as the Caped Crusader’s 1960’s incarnation, and probably as much now for being Mayor Adam West (or Adam We) in the ‘Family Guy’ city of Quahog, but how many know of his comedy pilot of the 90’s co-written by Conan O’Brien?

‘Lookwell’ is a riot, and a slice of comedy gold that if I had a DeLorean, a Flux Capacitor, and a high powered job in a TV Network (the first two would be easier for me to get hold of), I’d go back and commission this. No more words from me, just enjoy Adam West at his best.